[custom_gallery gallery=”2″ width=”1087″ height=”720″ title=”never”] Zakaria Street (Jacquaria Street) situated near Mahatma Gandhi Road in Kolkata (formerly Calcutta) is a commercial hub & home to the largest mosque in Kolkata “Nakhoda Masjid”. Although this masjid has a charm of its
[custom_gallery width=”1106″ height=”737″ title=”never”] Picture this. Around Seventy- eighty people sitting spellbound. You can hear them breathing. Their faces look intent. A blue ray falls calmly on their faces. Location: Ramesh Dutta Street. A not so popular corner in the
Although the images in ‘Blow’ were initially conceived as a formalist exercise in shapes, it soon became relevant as a body of work on consumerism expressed in terms of metaphors. All the diptychs in this collection individually may lead
“Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, Their rules are absurd, their perspectives deceitful, and everything conceals something else.” ― Italo Calvino, Invisible Cities Bombay, at times,
It had a life once. It was the life once. Yamuna, on the banks of which Shah Jahan built Taj Mahal… Today, urban development has pushed it to the fringes. The largest tributary of Ganga is now one of the
Aarhus lives out its days in the northern realms of Denmark. Dark days reign supreme here. Melancholia wreaks havoc on the mental state of its inhabitants. Couples huddle together, seeking warmth amidst cold winds. Spring brings respite.And then comes
This series is a photographic exploration of the Night through various physical spaces that I have been a part of and experienced. I have been in awe of the Night and the myriad hues that it presents itself in.
About 80 families live under the approaches to Kolkata’s 2nd Hooghly Bridge. Most of them have migrated from different districts, states, or even countries to seek shelter in the city of joy, hoping for a new lease of life. They
Photos by Suvro Kanti Das And then. After walking through many many tracts of darkness, they discovered themselves in the midst of a large unending procession. Topu and Eva. In this boundless seashore, people are walking in front of them. Boys.
This series is a photographic exploration of the Night through various physical spaces that I have been a part of and experienced. I have been in awe of the Night and the myriad hues that it presents itself in. I